Everything about Emancipator keeps getting better. His breaks are sharper, his friends musician-ier, his sample sound less like samples probably because his friends are musician-ier. There's a live element to Emancipator's instrumentation that make you feel like you are listening to his music while inside some kind of biodome of dope.
Like the walls reverberate with the wavelengths of the divine. LIke the ferns and birds all twitch and chirp in rhythm. Like the air gets heavy only to blow freshly upon your sweating body when another swell in the song soars. Like the very fabric of its construction is rooted in the emotive electronic emissions of Emancipator himself.
"Ocelot" is a video love baby to those old and stoney Mind's Eye videos mixed with a session of Minecraft. I love the fractals animals as they vibrate and keep time only to be abducted, much like my sense of reality, by UFO's piloted presumably by some Noah-figure from the far-flung recess of the fogmosphere.
In the end there is only the "Ocelot". There is only the "Ocelot" in the end.